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・ Lydia Goehr
・ Lydia Gouardo
・ Lydia Gould
・ Lydia Greenway
・ Lydia Grigorieva
・ Lydia Gromyko
・ Lydia Hamilton Smith
・ Lydia Hart
・ Lydia Hatuel-Czuckermann
・ Lydia Hayward
・ Lydia Hearst
・ Lydia Hedberg
・ Lydia Hernandez
・ Lydia Jane Wheeler Peirson
・ Lydia Jele
Lydia Johnson Dance
・ Lydia Jordan
・ Lydia Kandou
・ Lydia Katjita
・ Lydia Kavina
・ Lydia Kavraki
・ Lydia Kay Griggsby
・ Lydia Kelly
・ Lydia Knott
・ Lydia Ko
・ Lydia Koidula
・ Lydia Kurgat
・ Lydia Kwa
・ Lydia Lamaison
・ Lydia Lariba Bawa


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Lydia Johnson Dance : ウィキペディア英語版
Lydia Johnson Dance

Lydia Johnson Dance is a contemporary dance company that performs the choreography of Lydia Johnson, primarily in New York City and New Jersey. It is notable for combining ballet and modern dance, sometimes isolating and reworking "components of classical ballet technique." The company was founded in 1999〔 by Johnson, a choreographer.〔 She has choreographed dance works to various composers including Beethoven, the alternative rock band Cake,〔 Philip Glass,〔〔 Argentine composer Osvaldo Golijov,〔 Polish composer Henryk Górecki,〔 and others. Since 2008 the company has received annual support from the Geraldine R. Dodge Foundation. Performances tend to have six or seven〔 to twelve dancers, and the company has performed in numerous venues in New Jersey and New York City, and it is based in northern New Jersey. In addition, Lydia Johnson Dance runs a school to teach dance and choreography.
==Reviews==
Critics have described the company's performances as infusing "ballet with a contemporary sensibility," romantic, handsome, with a calm deliberateness,〔 and invoking a "harmonious world." A ''New Yorker'' critic described her performances as "simple, tasteful, and unhurried." A dance critic described a performance as "the most organic choreographic fusion of ballet and modern-dance techniques ever invented,"〔 and wrote:
''New York Times'' critic Jennifer Dunning wrote that Johnson created "a sense of life flowing unhurriedly over mysterious human stories." Dunning described one performance as having a "strangely cool, crisp eloquence" in the way that Johnson's dancers used their arms.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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